^ That's not PS, it's witch craft
:lol::lol::lol::lol:
Honestly, the most important part of that kind of processing is knowing what to edit, not the actual techniques for editing. The technical portion of background and reflection cleanup is very simple. Clone stamp, work slow, blur, etc. I look for distractors that clutter up the photo and pull the eye away from the image focus.
- Other cars, buildings, dumpsters, signs etc in the background - anything that causes irregularities on the horizon line. 7 and 8 show a drastic example of this.
- Bright spots and colors that contrast or pull from the subject, like lights, glares, stop signs, etc.
- Reflections of buildings, cars, signs, poles, etc. on the car. Anything that makes the reflected lines irregular. Straight line reflections show the car's shape and look cleaner than the entire foreground showing up on the car. Don't believe me? Find one advertisement that shows the building across the street reflected in the car door.
- Glare points on the car. See the Viper photo (#2) in my previous post. Note the glare removal on the fender and below the mirror.
Note that MOST of this stuff can be controlled by simply picking the right location and angles, and using a polarizing filter. For everything else there's Photoshop.
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