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SVTPerformance's Chain of Restaurants
Road Side Pub
Lead guitar players come in
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<blockquote data-quote="RedVenom48" data-source="post: 16005562" data-attributes="member: 166576"><p>Been playing since I was 12, so its been 23 years now. Sadly its not very often anymore. Apparently life has a way of giving responsibilities.</p><p></p><p>I was a huge fan of the Boss products. Ran an MT-82 Metal Zone for a long time. The Chorus Ensemble was my most favorite effect, though who doesn't love a good Phaser or Wah. Dunlop Crybaby was fun, but I found myself screwing around more than being able to master it lol.</p><p></p><p>Good friend of mine had a Johnson Millennium (I think) 2x12 combo right out of high school. He absolutely loved that thing, though I could absolutely tell it was digital. Was a little cumbersome to program the included 2 foot pedal board, but once he had it all set up he was golden. Another friend had a Mesa Single Recto Rectoverb. Damn was that a great sounding amp.</p><p></p><p>As for me, Ive had more Gibson Explorers pass through my ownership than I care to remember. Mostly because I remember having to sell them for one reason or another. The best tone wise was a 2002 Gothic Explorer. Rarest was an all black 1984 Gibson Explorer with the James Hetfield control layout; no pickguard. Tone was a little flat, probably not mahogany but it looked bad ass.</p><p></p><p>My first Guitar was a 1995 Fender American Standard Stratocaster in the limited Edition Candy Apple Red with matching headstock. Great guitar, one of the best clean guitars around. As I transitioned to heavier music, I found I preferred Dual Humbuckers and set neck construction with a tune-o-matic bridge. I still have it and doubt Ill ever be able to sell it.</p><p></p><p>Best amp I ever owned was a Mesa Boogie Dual Rectifier Tremoverb half stack. It was the series right before Mesa absolutely flooded the market with Dual and Triple Solo heads. It had literally the best tremolo effect Ive ever heard and the reverb was spot on. Couldn't ask for a better gain circuit either, though I admit the Peavey 5150 was a bit heavier. Had to sell it to fix my Shelby from a GTR that crashed into me at the track. <img src="data:image/gif;base64,R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7" class="smilie smilie--sprite smilie--sprite3" alt=":(" title="Frown :(" loading="lazy" data-shortname=":(" /></p></blockquote><p></p>
[QUOTE="RedVenom48, post: 16005562, member: 166576"] Been playing since I was 12, so its been 23 years now. Sadly its not very often anymore. Apparently life has a way of giving responsibilities. I was a huge fan of the Boss products. Ran an MT-82 Metal Zone for a long time. The Chorus Ensemble was my most favorite effect, though who doesn't love a good Phaser or Wah. Dunlop Crybaby was fun, but I found myself screwing around more than being able to master it lol. Good friend of mine had a Johnson Millennium (I think) 2x12 combo right out of high school. He absolutely loved that thing, though I could absolutely tell it was digital. Was a little cumbersome to program the included 2 foot pedal board, but once he had it all set up he was golden. Another friend had a Mesa Single Recto Rectoverb. Damn was that a great sounding amp. As for me, Ive had more Gibson Explorers pass through my ownership than I care to remember. Mostly because I remember having to sell them for one reason or another. The best tone wise was a 2002 Gothic Explorer. Rarest was an all black 1984 Gibson Explorer with the James Hetfield control layout; no pickguard. Tone was a little flat, probably not mahogany but it looked bad ass. My first Guitar was a 1995 Fender American Standard Stratocaster in the limited Edition Candy Apple Red with matching headstock. Great guitar, one of the best clean guitars around. As I transitioned to heavier music, I found I preferred Dual Humbuckers and set neck construction with a tune-o-matic bridge. I still have it and doubt Ill ever be able to sell it. Best amp I ever owned was a Mesa Boogie Dual Rectifier Tremoverb half stack. It was the series right before Mesa absolutely flooded the market with Dual and Triple Solo heads. It had literally the best tremolo effect Ive ever heard and the reverb was spot on. Couldn't ask for a better gain circuit either, though I admit the Peavey 5150 was a bit heavier. Had to sell it to fix my Shelby from a GTR that crashed into me at the track. :( [/QUOTE]
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